Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Saturday, May 22, 2010

Harvey Fierstein as Tevye!?!


O.K., I admit, to my knowledge, of never having heard Harvey Fierstein sing. But in the films I have seen him in (say, oh, Independence Day), his voice sounds somewhat like he had his vocal chords sent through a food processor. I am just having a difficult time envisioning this. And having seen the stage version with Topol, I am thinking I probably won't be taking the time to see this one.

Wednesday, July 23, 2008

Professor Harold Hill, prototypical Republican?


I was having an e-mail conversation with my occasional posting partner, Philm Phan, the other day regarding the classic musical, “The Music Man”. Or, “Meredith Wilson’s, The Music Man”, as listed in the Internet Movie Database. It’s a fun movie, a slice of “Americana” in several different ways. It reflects not only some of the aspects of life in Middle America at the turn of the century (the last turn, not this latest one), but also some of the aspects of America as captured by the movies in the 1960’s.

The conversation turned to one of the main characters of the film, Professor Harold Hill. It occurred to me that this guy is about as prototypical a Twenty First Century Republican as you can get. First, he’s a fast talker, a con artist, willing to sell you anything at all in order to make a fast buck. That’s his entire concept of his life. His modus operandii, as he goes into the small towns and cities around America, is to cause confusion and panic about an issue that had never been an issue before and then, magically, present the locals with a solution to this new problem. In the case of the film, a pool table. Dire things are predicted to happen if this is allowed to occur (e.g., jockeys riding directly on race horses instead of on trotting carriages, boys buckling their knickerbockers below the knees) unimpeded. The day previous to Hill’s arrival, people had not considered a pool table much of a concern. After his arrival, it had taken on all aspects of a catastrophe that’s just seconds away from occurring. He is willing to say anything, including falsifying his credentials (Gary Conservatory of Music, Ought Five), to back up his outlandish claims. And, of course, he has the perfect plan to make all their concerns and worries about this thing that had never been a concern or worry to them prior to his arrival go away. He has “the answers”. He’s willing to “sweet talk” anyone he needs to that holds a position of influence (e.g., the librarian, the librarian’s mother, the city council, the mayor’s wife) to “grease the skids” of his plan.

Do you see where I am going with this?

To continue, his solution consists of a lot of promises yet to be fulfilled, full of nice, bright, shiny things that enthrall anyone and everyone (except the extremely skeptical). And, the final touch is that his promise of this new, shiny thing that will take away everyone’s worries about all those terrible things that were going to happen as a result of a terrible issue that had never been an issue before, is based on something he refers to as the “Think System”. You see, it isn’t necessary to actually do the planning and work required to set up and produce something as intricate as a boy’s marching band. No one actually has to take music lessons to play their brand new instruments that Professor Hill has sold them. No, all you have to do is “think” that you can play them, and magically, you can! All you have to do is believe! That is all that is required! Ask no further questions, because all you will get is the runaround. Obfuscation is the order of the day for Prof. Hill.

There is also that issue of Professor Hill looking really, really gay, prancing around in a pretty gaudy drum major outfit. That doesn’t quite fit in with my premise about Repub… Wait a second. Actually, it does. Never mind.

Ladies and Gentlemen, we have all been sold a bill of goods. We have bought those nice, bright shiny things, like overt patriotism as a litmus test, the war in Iraq, the shredding of the Constitution in order to provide “security”, the overt politicization of the Justice Department, and on and on, by someone who inflated his credentials (the “War President” because he may or may not have served in the National Guard in Alabama during the Vietnam War, i.e., the Gary Conservatory of Music, Ought Five) based on nothing more than… the Think System! All we need to do is to Think that all this stuff is true, and viola! It is!

The biggest difference is that real life isn’t a musical and there won’t be a huge marching band coming down the street at the end when the credits start rolling.

UPDATE: You know, I am not saying that Keith Olbermann or his staff at Countdown on MSNBC read this or any other blogs. I do find it interesting that, after this particular post of mine, Keith started referring to Glenn Beck as "Harold Hill" quite often on his show. Of course, this idea was just sitting out there for anyone to pick up. I'm not saying I was the first and won't be the last. I just found it interesting. That happened with one other of my posts as well. If they are using ideas from people's blogs, it would be nice to give them some credit...

Friday, July 11, 2008

I’ll take “70’s progressive rock bands” for $200, please.




I go through this sort of phase about once every year or two. I go pull out a bunch of music that I listened to back when I was really formulating and experimenting with my own musical tastes. Some of what I listened to back then was, admittedly, pretty bad. Captain Beyond, anyone?

But the 70’s saw some really inventive music that pushed the boundaries, in all genres. One of my favorite genres is that of progressive rock. Several of my favorite bands are Yes, Renaissance and Gentle Giant. These groups, along with many others (e.g., Jethro Tull, King Crimson, Pink Floyd, etc.) really took music in some really interesting directions.

Renaissance remains one of my favorite musical groups. Anne Haslam’s vocals are just amazing, and the blend of traditional rock instruments with elements of classical music is done in such a way that the music really doesn’t sound all that dated even today. Renaissance remains a favorite musical trivia question as well, as they are the only band that I am aware of that released two albums with one line up, and then changed their entire roster for the next seven albums. The only continuity between the two manifestation of the group was Michael Dunford, who wrote some of the music and, although was not on the “official” list of members in the band, did play some acoustic guitar on the albums. The band retained the same name and quite a lot of the same sound, while changing out every single member. I find that fascinating.

I have been listening to the Gentle Giant albums that I currently have in my collection; Free Hand, Three Friends and Octopus. This is some very unusual stuff that definitely is not what one might call “toe-tapping” music. Continuity is not something that really asserts itself in the music of Gentle Giant. I really enjoy the Wiki intro paragraph about the group.

Gentle Giant were a British progressive rock band, one of the most experimental of the 1970s. Textually inspired by philosophy, personal events and the works of François Rabelais, the group's compositional purpose was to "expand the frontiers of contemporary popular music at the risk of becoming very unpopular.”


I don’t know about you, but that sounds like it falls under the definition of “progressive”.

I don’t know why I felt compelled to post about the music I am currently listening to. Mostly, I am burned out by complaining about the current political situation and the fact that about 1 in 3 people in this country seem to have completely lost their desire and/or ability for rational thought processes. It’s a lot easier to transport myself back to a time which seems, in retrospect, much more understandable.